Tag Archives: cool things

Nineworlds Geekfest 2015

So, yes, this year’s Nineworlds then…  Last year was awesome, having all the things I like about Eastercon – the varied tracks, the cosplay, the fun workshops – but with an extra bit of buzz that made it my favourite con of the year.  This year, excepting the dodgy service in the hotel, exceeded that.

Nineworlds is a very friendly con, and one that actively welcomes as many people as it possibly can; catering to a wide range of needs through communication badges, priority seating and as many other accessibility options as the excellent committee bods can think of.  And if they haven’t already got it covered they’re very open to sorting things out once someone’s drawn their attention to it.  And it’s this attitude, I think, that helps makes the con feel like such a relaxed and cheerful place.

The Radisson hotel, however, was distinctly unfriendly towards con peeps.  This isn’t new – over previous conventions at the hotel there’s been a very noticeable shift in attitude towards con attendees over the weekend, most especially from restaurant and bar staff who will ignore anyone wearing a con badge, yet venture in unbadged and they couldn’t be more friendly and helpful. Which is a shame, because I’m quite fond of the hotel as a place generally. Fortunately Nineworlds has wisely chosen to shift venues next year, so here’s hoping the new hotel has nicer staff.

Another thing I really like about Nineworlds is the programme app. With so many tracks on offer, it can be a bit overwhelming sorting out what you’re doing when, but the app makes everything oodles easier. Especially when it comes to spotting triple bookings.  🙂  Now if they could just include a time-turner facility, I might get to see alllll the things as I missed a ton of things I wanted to do and a ton of people I wanted to see.   Och well.  On the plus side, I saw people I wasn’t expecting to and had all manner of interesting conversations which made up for it.

Panels, then.  Due to overwhelming demand, many of the panels got packed out early, so getting there twenty minutes in advance was essential in some cases.  The Friday myth panel was case in point with people getting booted out due to way too many people sardining in.  Also Joanne Harris talked briefly to me before the panel and I totally did not fangirl.  Honest. (She’s so cool!) Ahem, yes. Annnyhoo.

What was really fun, though, was the genre mashing panel (Dragatha Christie totally has to happen).  Not only fun and highly entertaining, it was one of those panels that managed the perfect combinations of panellists (Zen Cho! Gaie Sebold! Adrian Tchaikovsky! James Oswald! James Smythe!) and if you weren’t a fan of the authors before the panel, you definitely were by the end of it.  (There are now so many books on my kindle wishlist, I’m going to go broke, I swear…)

2015-08-08 11.58.46And then there was the sword fighting! I booked in for the Water Dancing with Syrio Forel workshop thingy as it was one of the things I missed out on last year, and oy, was it fun.  (Not so much fun was having to demonstrate your skills in front of the class at the end. Argh! No.) Apparently I have fire but need to work on my technique… 🙂  Definitely a recommended thing to have a go at if you’re around for next year’s con…

Which I’ve already booked in for, because, really, that much awesome, you have to, don’t you.  (Booking open here now!  Doooooo it! You know you want to!)  So huge thanks to the con volunteers for making it such a great weekend and here’s hoping that next year is even better!

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Wicked Women Out Now

Just in time for Halloween, Wicked Women (edited by Jan Edwards and Jenny Barber) has landed!  Available in paperback or ebook formats from your local Amazon or Barnes & Noble.com.  Spooktacular!  (Sorry. I’m not sorry!)Pageflex Persona [document: PRS0000026_00024]From thieves and tyrants to witches and warriors, here are twelve tales of women who gleefully write their own rules, women who’ll bend or break the social norms, who’ll skate along the edge of the law and generally aim to misbehave.

Contents:

Juliet E. McKenna – Win Some, Lose Some
Christine Morgan – The Shabti-Maker
Tom Johnstone – Kravolitz
A. R. Aston –  No Place of Honour
Adrian Tchaikovsky – This Blessed Union
Sam Stone – The Book of the Gods
Chloë Yates – How to be the Perfect Housewife
Stephanie Burgis – Red Ribbons
Jonathan Ward – A Change in Leadership
Jaine Fenn – Down at the Lake
Zen Cho – The First Witch of Damansara
Gaie Sebold – A Change of Heart

Published by Fox Spirit Books
 ISBN: 978-1-9093486-9-1

Wicked Women: warm up!

Due verrrrry soon from the ever fabulous Fox Spirit Books, the one, the only, Wicked Women! (Edited, of course, by Jan Edwards and me!)Pageflex Persona [document: PRS0000026_00024]

Cover by Sarah Anne Langton

From thieves and tyrants to witches and warriors, here are twelve tales of women who gleefully write their own rules, women who’ll bend or break the social norms, who’ll skate along the edge of the law and generally aim to misbehave.

Contents:
Juliet E. McKenna – Win Some, Lose Some
Christine Morgan – The Shabti-Maker
Tom Johnstone – Kravolitz
A. R. Aston –  No Place of Honour
Adrian Tchaikovsky – This Blessed Union
Sam Stone – The Book of the Gods
Chloë Yates – How to be the Perfect Housewife
Stephanie Burgis – Red Ribbons
Jonathan Ward – A Change in Leadership
Jaine Fenn – Down at the Lake
Zen Cho – The First Witch of Damansara
Gaie Sebold – A Change of Heart

Cool Kickstarters: Holdfast, Accessing the Future, Clarkesworld Chinese Translation

For those who love excellent fiction, there’s some more funky fundraiser projects you should take a look at!  May I direct your attention to the Accessing the Future anthology, the Holdfast Magazine anthology and the Chinese translation campaign for Clarkesworld

Accessing the Future – a SF anthology exploring disability & the intersectionality of race, class, gender & sexuality.

The Pitch:
“We are raising funds to publish a special anthology of disability-themed speculative fiction, Accessing the Future, co-edited by Kathryn Allan and Djibril al-Ayad, to be published by Futurefire.net Publishing.

“Futurefire.net Publishing is the publisher of both The Future Fire magazine of social-political speculative fiction, and of two previous anthologies, Outlaw Bodies (2012, co-edited by Lori Selke) and We See a Different Frontier (2013, co-edited by Fabio Fernandes). Djibril al-Ayad, a historian and futurist, co-edited both volumes and has edited TFF since 2005.

“Kathryn Allan is an independent scholar of feminist SF, cyberpunk, and disability studies, and is the inaugural Le Guin Feminist Science Fiction Fellow (2013-14). She is editor of Disability in Science Fiction: Representations of Technology as Cure (2013, Palgrave MacMillan), an Associate Editor and Reader of The Future Fire, and her writing appears in both academic and popular venues. She tweets and blogs as Bleeding Chrome.

“This anthology will call for and publish speculative fiction stories that interrogate issues of disability—along with the intersecting nodes of race, nationality, gender, sexuality, and class—in both the imagined physical and virtual spaces of the future. We want people of all abilities to see themselves, as they are now and as they want to be, in our collective human future. The call for stories will open immediately after this fundraising campaign ends.”

Why It’s Cool: 
Dude, seriously, how is it not? As per Future Fire’s previous and very excellent anthologies, this is an opportunity for seriously underrepresented voices to be heard, with stories that will cover disabilities in way that doesn’t marginalize people’s experiences by making their disability a cheap plot point.

The Link: https://www.indiegogo.com/projects/accessing-the-future

And speaking of underrepresented voices –
Clarkesworld: Chinese Science Fiction Translation Project – Clarkesworld magazine wants to translate and publish a Chinese science fiction story in each issue, funding is for the first year.

The Pitch:

“China has one of the largest science fiction reading populations in the world and has produced a significant body of work that has remained relatively unseen by English-speaking audiences. In recent years, a few stories and novels have made their way to English language publication, but we are unaware of any project to regularly feature Chinese works in a science fiction magazine.

“Clarkesworld Magazine has always aspired to publish stories from a global pool. It’s our opinion that different perspectives make the genre stronger. We’ve published authors from all over the world, but quality translations have been few and far between. In recent years, thanks to the efforts of writer/translators Ken Liu and John Chu, it’s been our privilege to publish five. These stories include:

  • The Fish of Lijiang” by Chen Qiufan (2013 Science Fiction & Fantasy Translation Awards Winner)
  • A Hundred Ghosts Parade Tonight” by Xia Jia (2013 Science Fiction & Fantasy Translation Awards Honorable Mention, 2012 Locus Recommended Reading List selection, and reprinted in The Year’s Best Science Fiction and Fantasy, 2013 Edition, Rich Horton ed.)
  • Pepe” by Tang Fei

“and we’d like to bring you even more.

“I’ve recently signed an agreement with Weixiang (Storycom International Culture Communication Co., Ltd.) to add a translated Chinese science fiction story to each issue of Clarkesworld. Each month, Storycom’s team of experts will send us a list of stories they think would work well for us—much like we use our slush pile to choose our current fiction offerings. I’ll select one from that pile and then work with the author and translator to get the story ready for publication. Every story will appear in all editions of Clarkesworld—our free online edition, podcast (audio fiction), ebook and digital subscriptions, print issues, and annual anthologies—and provide these authors with significant English language exposure. (They’ll be paid too.)

“We believe that providing markets that actively publish translated fiction is good for readers, authors, translators, and the genre as a whole. Our past experience tells us this is something we are qualified to and should do.”

Why It’s Cool:
Because there needs to be way more translated fiction out there. And if Clarkesworld make their stretch goals, there’ll be translated fiction from other regions of the world too which will be all the awesome.

The Link: https://www.kickstarter.com/projects/clarkesworld/clarkesworld-chinese-science-fiction-translation-p

And for more awesome, check out –
The Holdfast Magazine Anthology – the first print anthology of Holdfast Magazine

The Pitch:
“Holdfast is a free, online speculative fiction magazine (that means science fiction, fantasy, horror and all the stuff that falls between),that celebrates and examines these amazing genres. Check it out at www.holdfastmagazine.com

“The Holdfast anthology will be a beautiful artefact, comprised of new unpublished fiction, and some of the best articles from our online magazine, all in one, gorgeous good-quality paperback volume, including fantastic original artwork like this papercut piece from Issue 2 by Zoe Lee, as well as original cover artwork by artist Faye McNulty, who designed the Issue#2 header above.

“Read about a time-travelling law enforcer making a difficult choice, a cursed cycling tour that goes hopelessly and hilariously wrong, and what happens when the drugs don’t work on Sleeping Beauty in our fiction section. Discover what shark brains look like (spoiler: a human uterus), find out about the underrepresentation of Black women in science fiction, read a thank you letter to Margaret Atwood, and witness our attempts to convert a literary snob over to SFF in our non-fiction section.”

Why It’s Cool:
Because it’s Holdfast Magazine, and Holdfast is fab. And there’ll be some shiny new stories in it. Also there are not that many UK based online mags so supporting the ones we do have is always a good thing.

The Link: https://www.indiegogo.com/projects/holdfast-magazine-anthology

Nineworlds Geekfest 2014

geekylogoShort version: OMG!OMG!OMG! That! Was! Awesome!

Longer version:
Well gosh, that was fun. And if ever there was a convention that needs a lot of photos taking during it, it’s Geekfest.  Alas, I took none. So you’ll just have to take my word for the fact that there were so many cool costumes!  Harley Quinn, Dr Who and Ace, baby in a flying saucer pram, Judge Dredd, assorted manga type people, Daenerys, a Sharknado…!

And panels.  Good lord, were there panels.  About a million of them, with a handy digital programme thing to make it easier to sort personal scheduling out.  Missed a load I wanted to go to because they clashed with other ones I wanted go to a bit more.  I need a Time Turner for next year, I think, so I can see all the things.

But what I did see – well, there was the Urban Fantasy panel, of course, which I live tweeted due to the perplexingly small amount of women being mentioned as having written urban fantasy and/or city based fantasy.  There’ll be a blog forthcoming on that shortly, I think, as there’s a lot of thinky thoughts bubbling in my head about urban fantasy, cities and visibility of women.  Though, apart from the issue with forgetting women authors, it was a good panel with some intriguing points made and the panellists were excellent.

I also made it to the Time Travel panel; the Mythology and Fairy Tales panel; the Writing LGBTQ+ Characters in SFF talk by Laura Lam; the Rule 63: Gender and subversion in History, Popular Culture and Fandom panel; the ‘It’s A Man’s World…’: Where Are The Women In The Creative Industry? panel; the Looking Backwards panel, which was a cool history thing; and the podfic vs podcasts thing – which I somehow managed to not realise would be about fan fic, despite the fact it was in the fanfic track! But it was a fun one, and very interesting.

And I may have gone a bit mad shopping in the dealer room. And that’s before the post-con book binge of buying up stuff recommended on panels and mentioned by lovely random people. And talking of people, I saw many, in that ships that pass in the night kind of way, and big hugs to Alasdair and Marguerite and Adrian and Adele and Ian who were particularly lovely and made the con just that bit better!

Definitely need to book up for next year.

Urban Mythic 2: Cover, Launch, ToC

Darlings! Hello!  We have a launch date for the ever marvellous Urban Mythic 2!
We will be unleashing the Anthology of Awesome at Fantasycon in York, on Saturday 6th September at 2pm.  Hurrah!

Not only that, we have cover!  Well, prelim cover.  Slight changes may be made to the font-y bits, but, hey, look… pretty picture from Edward Miller!UM2 prelm coverAnd! Final order of contents!

The Mermaid  – Tanith Lee
For the Memory of Jane  – K T Davies
Where the Brass Band Plays  – Adrian Tchaikovsky
How to Get  Ahead in Avatising –  James Brogden
 La Vouivre –  Sarah Ash
Trapped in the Web – Pauline E Dungate
 The West Dulwich Horror  – Carl Barker
The Cupboard of Winds  – Marion Pitman
Blood*uckers –  Chico Kidd
High School Mythical: Asgard –  Christine Morgan
Paradise Walk  – Andrew Coulthard
Death and the Weaver – Lou Morgan

Are you excited? I’m excited! 😉

Urban Mythic Miscellany

Oh what news we have for you my lovelies!

UM cover A 008 dFirst, Urban Mythic #1 was kinda sorta nominated in the British Fantasy Awards.  Oh yes! Our very own Adrian Tchaikovsky made the Best Short Fiction short list with his story ‘Family Business’.  Massive congrats to Adrian!

Our publisher overlords at Alchemy Press also made the short list for Best Small Press and Best Non Fiction (with Doors to Elsewhere by Mike Barrett); and with our loyal Fox Spirit editor hats on, we’re also rather pleased that Fox Spirit Books also made the shortlists in Best Small Press, and Best Anthology (with Tales of Eve edited by Mhairi Simpson).  So epic glee all round!  (Not least because so many women made the BFA short lists this year as well. Hurrah!)

Now! Urban Mythic #2 news!
Yes, my darlings, we have contents!  In alphabetical order, with proper order to follow anon, here be our fabulous people…

Sarah Ash – La Vouivre
James Brogden – How to Get Ahead in Avatising
Carl Barker – The West Dulwich Horror
Andrew Coulthard – Paradise Walk
K T Davies – For the Memory of Jane
Pauline E Dungate – Trapped in the Web
Chico Kidd – Blood*uckers
Tanith Lee – The Mermaid
Christine Morgan – High School Mythical:Asgard
Lou Morgan – Death and the Weaver
Marion Pitman – The Cupboard of Winds
Adrian Tchaikovsky – Where the Brass Band Plays

And! There will be a cover by Les Edwards – to be revealed at a later date.

Aaaaaalllll the awesome!