Tag Archives: christine morgan

Wicked Women Anniversary Interview: Christine Morgan

Today we welcome the multi-talented Christine Morgan – author of the Wicked Women story ‘The Shabti-Maker.’

christine pic01Tell us a little about yourself and what you like to write

I like to write fun stuff, where fun can be anything from outrageously over the top purple prose to humor to extreme horror to silliness to smut. I like to play with language, to experiment with it and goof around. I enjoy the challenges of doing mash-ups, crossovers, and pastiches, particularly if I can meld things that might not normally, in a sane world, go together.

I also have a lifelong love of mythology, history, sociology, anthropology, psychology and folklore. A lot of my stories involve historical settings, mythological elements. Ancient cultures fascinate me, as does the idea of writing from perspectives greatly different from my own. Whether that means child POV characters, animals, aliens, elves, inanimate objects … each is its own interesting puzzle.

On a personal level, I’m in the middle of the whole classic life-upheaval just now, having recently divorced, moved to a new state, started over in a new job, only child’s all grown up and off to college, etc. In one sense, it’s terrifying. In another, liberating; this is the first time since my sister and I started sharing a room that I’ve had a space entirely of my own. Well, my own and the four cats; I’m training to become a crazy cat lady in later years.

How long have you been writing and how did you get started?

Even as a kid, I was a big reader, a big maker-upper of intricate stories for my toys (my Barbies had some soap-opera stuff going on, let me tell you), and the one among my circle of friends who’d more often than not be the idea person for what we should play next. I remember writing assignments in grade school, and doing one piece about a brave daddy fox trying to lead the hunters away from his family.

I got into roleplaying games as a teen, and drama club in high school. There may have been some painfully Mary Sue bits of Lord of the Rings fanfic way back when; I’m glad I haven’t found any of those in the archives. Writing down the gaming adventures was the next logical step, which eventually became a series of fantasy novels.

Always sort of figured I’d do the classic career path of becoming a teacher while writing on the side. A change of major later, I went into residential psych, but the writing on the side part has stayed much the same.

Which authors have influenced you and why?

Every single one I’ve read and some I haven’t … one way or the other.

Though I got officially ‘started’ writing fantasy, I knew even then my true calling tended more toward the horrific. I’d been reading Stephen King since age 10, and would go to fantasy conventions only to find myself the odd duck out when people were listing their favorite authors.

But then, a few years ago, it all came back around full-circle again … I’d been tinkering with historical fic, with the pirate era, tall ships, and so on … but then I discovered Bernard Cornwell’s Saxon series, and the lectures of Professor Michael D.C. Drout, and everything clicked … it was Viking time. Vikings hit everything I liked best.

I’ve also spent a lot of time trying to catch up on some of the literary classics I missed with that change of major, and experiencing the variety of genres, voices, and styles. Wodehouse is a kick; I’ve done a few stories aiming for that kind of tone. I’ve mashed up Austen and Lovecraft. I hugely enjoy Janet Evanovich’s Stephanie Plum books, and Sharyn McCrumb’s Appalachian series, Robert McCammon’s everything but especially his Matthew Corbett books … variety, whatever, bring it, I will give about anything a chance.

These days, I’m reading and loving a lot of extreme horror and bizarro. I’m phobic about nearly everything, I’m a total wuss, I can’t even put in eyedrops or pull out a giblet packet without squicking, but I cannot get enough gross, weird, sick, twisted fiction.

Both history and fiction are replete with women who aim to misbehave – do you have a favourite wicked woman and why?

Well, I’m not sure for misbehaving, but Aud the Deep-Minded is one of my favorite ladies of history; she was an early Icelandic settler, commander of her own ships and men, politically savvy, powerful, scored good influential marriages for her children and grandchildren. To earn a moniker like that – Deep-Minded – proves that she was known and respected for her wits and her wisdom.

There’s also Freydis Eriksdottir, sister of Leif Eriksson … now, SHE was wicked … in the sagas, she manipulates men into feuds, kills a bunch of people with an axe, and may be most famous for the anecdote of how she, while pregnant, charges out of her hut during an attack by skraelings (Native Americans), rips open her top, smacks herself in the breast with a sword, scares the attackers away, and shames all the men for their cowardice.

You’ve recently had Murder Girls published by Evil Girlfriend Media – how did that come about and what can readers expect?

murdergirlsadMurder Girls had originally been released in ebook by KHP Publishers, but Katie at Evil Girlfriend just loved the premise and approached me about doing a revised print edition.

It’s the story of five college housemates – brainy Rachel, sporty Jessie, angry Darlene, shy Gwen, and mysterious Annamaria – who are just each doing their own things one evening when Rachel, watching a program about profiling serial killers, remarks, “I bet we could get away with it.”

And why not? They’re sure not the profile. Add in a pervy peeping tom with the world’s worst timing … next thing you know, the girls are standing around a body, with a mess to clean up … and a new hobby that quickly becomes an obsession.

With this one, I wanted to examine some gender-role issues, to put the shoe on the other foot as it were. You see those studies or classroom questionnaires about safety, about rape-prevention, about all the million-and-one ways women are conditioned to be on their guard or else, and how rarely men have to think about any of that instead of living it every single moment of every single day.

So, there’s some social commentary, and some looks at the ways we’ve become desensitized to violence and screwed up about sex … but hey, let’s be honest: it was also a chance to have a bunch of college girls carving up dudebros. Some of the scenes were disturbing and uncomfortable to write; I hope they’re that way to read as well.

You’ve written across many genres ranging from traditional fantasy to historical horror – do you have a current favourite genre to work in and if so, why?

Think I already covered this, but, to say again, gimme those Vikings! Historical horror and dark fantasy, with over-the-top descriptions, purple prose, adjectives, blood and gore and slaughter! Or those weird combinations. Myth-meets-Mythos; I’ve done Lovecraftian stuff mixed with ancient Greece and Rome. Ancient cultures; I’ve written Egyptian themed stories, and Aztec/Maya, and even all the way back to caveman days.

But yeah, the Vikings is what I keep coming back to. The cadence and rhythm of it, the language, alliteration, kennings. Besides, no other stories are quite as much pure fun to read aloud. I get to use my Viking voice. I write with that original oral tradition in mind; they have to sound right in my head, they have to read right, it’s awesome. Listeners seem to really respond to it, too. The Viking readings always go over well.

You’ve also edited several anthologies – has this changed how you approach your own fiction?   

It certainly has made me all the more conscious of proofreading and polishing and following the guidelines … as an editor, I admit, I’m looking for good stories, yes … but I’m also looking to not take on too much extra work for myself. Maybe that’s lazy of me; I don’t know.

It also makes me appreciate everything editors do even more. That’s hard work. The selection, the balance, the dealing with however-many individuals, the juggling. And the rejections! Augh! Rejection letters are no fun from either end.

What’s the appeal of short fiction for you and do you have any short fiction recommendations?

I used to think I couldn’t write it. I used to think – being wordy by nature, as this interview no doubt demonstrates – that I was just geared toward writing longer works. Novels, but not only novels; each novel wanted to be a trilogy. When I was doing fan-fiction, it was the same way, except as installments in an ongoing series.

I suspect my roleplaying game background had something to do with that; I’d trained myself  to be in campaign mode, so there always had to be more adventures lined up, more plot hooks to explore, new characters to introduce and follow up on. There was always a NEXT waiting in the wings.

I won’t say I’ve unlearned that, or trained myself back out of it, because  I haven’t. I’ve just also worked on narrowing my focus, condensing and containing ideas which might otherwise sprawl. It’s most important in horror fiction, since horror is more emotion than setting, and horror seems somehow to be more effective in shorter doses. Easier to sustain.

As for recommendations, I love anthologies because you can sample, you can try a little bit of one story and then another, see what suits you, try things out from a variety of authors. Themed anthologies are always a favorite of mine, to write for as well as to read. I like seeing how different people approach similar subjects or challenges, and how creative they can get.

Room 101 time: what one genre cliché would you get rid of?

The epic prophecy. Any time something opens with the whole voice-over info dump about how, long ago, the wise foretold blah-de-blah and then it’s some doofus destined to save the world no matter how reluctant, foot-draggy, or inept … and they DO.

What are you up to next?

I’m currently working on final edits and layout for the third Fossil Lake anthology, UNICORNADO! The contributors really hit it out of the park on this one; I wanted weird unicorn and/or natural disaster tales, preferably both, and they delivered bigtime. Looking at a February 2016 release date, after which it’ll be time to decide on a theme for the fourth Fossil Lake!

I also have about four unpublished novels to revise, two novels and a novella to finish, a few short stories I promised to submit to anthologies, and I recently had an idea for a sort of bizarro not-quite-kids-book kids book.

And my first Viking collection will be coming out in 2017 from Word Horde! Reprinting many of my earlier Viking stories, plus some original … it’ll be called The Raven’s Table, and I am very thrilled and excited to see this happen.

Thank you for joining us Christine Morgan!

Christine Morgan spent many years working the overnight shift in a psychiatric facility, which played havoc with her sleep schedule but allowed her a lot of writing time. A lifelong reader, she also reviews, beta-reads, occasionally edits and dabbles in self-publishing. Her other interests include gaming, history, superheroes, crafts, cheesy disaster movies and training to be a crazy cat lady. She can be found online at https://www.facebook.com/christinemorganauthor and https://christinemariemorgan.wordpress.com/

Wicked Women Out Now

Just in time for Halloween, Wicked Women (edited by Jan Edwards and Jenny Barber) has landed!  Available in paperback or ebook formats from your local Amazon or Barnes & Noble.com.  Spooktacular!  (Sorry. I’m not sorry!)Pageflex Persona [document: PRS0000026_00024]From thieves and tyrants to witches and warriors, here are twelve tales of women who gleefully write their own rules, women who’ll bend or break the social norms, who’ll skate along the edge of the law and generally aim to misbehave.

Contents:

Juliet E. McKenna – Win Some, Lose Some
Christine Morgan – The Shabti-Maker
Tom Johnstone – Kravolitz
A. R. Aston –  No Place of Honour
Adrian Tchaikovsky – This Blessed Union
Sam Stone – The Book of the Gods
Chloë Yates – How to be the Perfect Housewife
Stephanie Burgis – Red Ribbons
Jonathan Ward – A Change in Leadership
Jaine Fenn – Down at the Lake
Zen Cho – The First Witch of Damansara
Gaie Sebold – A Change of Heart

Published by Fox Spirit Books
 ISBN: 978-1-9093486-9-1

Urban Mythic 2: Christine Morgan Interviewed

c_formal3Author of “High School Mythical: Asgard” in Urban Mythic 2, Christine Morgan answers a few questions!

Tell us a little about yourself and your writing.

I’ve been a reader as long as I can remember. I love language. It’s like Play-Doh, a complete sensory experience that, with patience and practice, can make almost anything you imagine. Among my childhood friends, I was the storyteller who came up with ideas for let’s pretend, and constructed elaborate scenarios for my toys. As a teenager, I got into role-playing games as another outlet. Once I began attempting to write for real, I started with ‘traditional’ fantasy … but horror was my true calling. These days, it’s mostly historical horror and dark fantasy, with an emphasis on drawing from mythology, folklore, and various ancient cultures.

What is at the root of your Urban Mythic story?

I have a teenage (only teenage for a couple more months, egads!) daughter, and in watching her with her friends, her with her shows, the way some attitudes seem universal to the young … it got me thinking about the gods of various mythologies. Being immortal, being eternally young, having that sense of invulnerability and freedom from responsibility … and what a dangerous thing that is among those who have power. The behaviour of the Norse gods in the stories, and the Viking heroes in the sagas, can be seen a real high school / frat boy light, brash and boasting, drinking, fighting, sex, joking around. Plus, I grew up on those 80s teen movies, so it all fell together from there.

How strongly do standard mythological stories influence your work and is there a particular type of mythology you favour?

Hugely … my fascination with mythology began with a kids’ book of Greek myths way back in elementary school. From there, I branched out to explore stories of the other pantheons, the differences and similarities they shared. I majored in psychology and, if I had to specify a school of thought, I’d call myself a Jungian/Skinnerian. Archetypes, collective unconscious, and the effects on behaviour. I’m still most familiar with the Greek myths, but since then I’ve studied Norse, Mayan, Egyptian, Celtic, and many others. It’s hard to pick a favourite. A lot has survived from the times of Greece and Rome, which makes them easier to learn about … but so little has survived of the Norse and Mayan that it lends an extra level of mystery.

If you could kill off any character from any other book, who would you choose and how would they die?

That is quite the question! Any other book? By any other author? Hmm. Do I go big, epic? Like, say, Sauron? A smaller but more personal and sinister evil, like Iago? (What a prime bastard that guy was!) Dolores Umbridge, who was way worse than Voldemort, in my opinion? And kill … I’ve killed off plenty of my own characters, some of whom deserved it and some who definitely didn’t … I’ve certainly wanted to slap characters in other books (looking at YOU, Mrs. Bennet and most of Jane Austen’s) … but the only ones I’ve ever wanted to rid the world of were those who were just so badly written that the literary world as a whole would be better off without them. And that’s never really the character’s fault.

What is the best piece of writing advice you’ve ever received?

Not the old “write what you know” clunker. I think that one’s done, and does, way more harm than good. How dull and limiting that would be. I prefer “write what you want to read.” The drawback, in my case, being that I want to read almost everything. For books on the craft, I’d go first and foremost with Stephen King’s On Writing, and the A Way with Words series of Modern Scholar lectures by Professor Michael D.C. Drout. Most of the truly best advice I’ve received, though, hasn’t come in words so much as by example, the examples of writers who love what they do, who have fun with it, and let that shine through on every page, no matter how dark the subject matter might be.

Room 101 time: what one genre cliché would you get rid of?

The Prophecy. The whole one destined chosen hero balance to the force save the universe no matter what a reluctant dimwit or twerp. Hate that. It usually goes hand-in-hand with boring, insipid main characters who, for supposed protagonists, are never very proactive.

What are you up to next?

My next horror novel, a non-sparkly vampire book called His Blood, is coming out soon from Belfire Press. I have stories in several upcoming anthologies, a lot of which are Lovecraftian or mythology-inspired (or both; myth-meets-Mythos is a blast!), and many Viking-themed tales. I’ve also recently taken on a few editing gigs, helping out with the Grimm Red/Black/White books from Fringeworks, a nature-run-amok anthology called Teeming Terrors from KnightWatch, and the Fossil Lake anthologies. The next convention on my schedule will be Portland’s BizarroCon in November, always an awesome time, though I’m also planning to drop by Bellingham ComicCon in October.

Find more information about Christine at her website here!

Urban Mythic 2: Cover, Launch, ToC

Darlings! Hello!  We have a launch date for the ever marvellous Urban Mythic 2!
We will be unleashing the Anthology of Awesome at Fantasycon in York, on Saturday 6th September at 2pm.  Hurrah!

Not only that, we have cover!  Well, prelim cover.  Slight changes may be made to the font-y bits, but, hey, look… pretty picture from Edward Miller!UM2 prelm coverAnd! Final order of contents!

The Mermaid  – Tanith Lee
For the Memory of Jane  – K T Davies
Where the Brass Band Plays  – Adrian Tchaikovsky
How to Get  Ahead in Avatising –  James Brogden
 La Vouivre –  Sarah Ash
Trapped in the Web – Pauline E Dungate
 The West Dulwich Horror  – Carl Barker
The Cupboard of Winds  – Marion Pitman
Blood*uckers –  Chico Kidd
High School Mythical: Asgard –  Christine Morgan
Paradise Walk  – Andrew Coulthard
Death and the Weaver – Lou Morgan

Are you excited? I’m excited! 😉

Urban Mythic Miscellany

Oh what news we have for you my lovelies!

UM cover A 008 dFirst, Urban Mythic #1 was kinda sorta nominated in the British Fantasy Awards.  Oh yes! Our very own Adrian Tchaikovsky made the Best Short Fiction short list with his story ‘Family Business’.  Massive congrats to Adrian!

Our publisher overlords at Alchemy Press also made the short list for Best Small Press and Best Non Fiction (with Doors to Elsewhere by Mike Barrett); and with our loyal Fox Spirit editor hats on, we’re also rather pleased that Fox Spirit Books also made the shortlists in Best Small Press, and Best Anthology (with Tales of Eve edited by Mhairi Simpson).  So epic glee all round!  (Not least because so many women made the BFA short lists this year as well. Hurrah!)

Now! Urban Mythic #2 news!
Yes, my darlings, we have contents!  In alphabetical order, with proper order to follow anon, here be our fabulous people…

Sarah Ash – La Vouivre
James Brogden – How to Get Ahead in Avatising
Carl Barker – The West Dulwich Horror
Andrew Coulthard – Paradise Walk
K T Davies – For the Memory of Jane
Pauline E Dungate – Trapped in the Web
Chico Kidd – Blood*uckers
Tanith Lee – The Mermaid
Christine Morgan – High School Mythical:Asgard
Lou Morgan – Death and the Weaver
Marion Pitman – The Cupboard of Winds
Adrian Tchaikovsky – Where the Brass Band Plays

And! There will be a cover by Les Edwards – to be revealed at a later date.

Aaaaaalllll the awesome!