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Interview with Paul Kane

Today we’re joined by Paul Kane – author of the recently published Monsters collection (Alchemy Press), the novella Flaming Arrow (Abaddon Books), and the upcoming Sherlock Holmes and the Servants of Hell (Solaris Books)

Paul Kane picTell us a little about yourself and what you like to write.

My name’s Paul Kane and incredible as it might seem, especially to me, I’ve been writing professionally now for almost twenty years. In fact, SST publications are bringing out a ‘Best of’ collection next year to mark the event called Shadow Casting, which will feature stories that have won awards, been in ‘best of’ anthologies and made into film/TV. I’ve written everything from genre journalism, which is where I cut my teeth, to Comedy, Crime and Science Fiction – technically, my best known books are SF as they’re post-apocalyptic reworkings of the Robin Hood mythos. But at heart I’m a horror writer, I guess. In terms of the formats I like to write in, as well as shorts and novelettes, novellas and novels, I absolutely love scriptwriting – TV and movies, but also more recently graphic novels. I wrote a 100 page one of those over the summer and had a blast.

What was the first horror story you read and what kind of impact did it make on you?

I don’t know if you could call it horror, and it was read to me at an early age before I started reading it over and over myself, but the story was Enid Blyton’s ‘The House in the Fog’. It’s a weird little tale where this boy gets lost in – surprise, surprise – some fog and wanders into this mysterious house where strange things happen. I remember him growing a furry tail at one point, which I suppose was my first exposure at a tender age to Body Horror. I just couldn’t get enough of that story, and kept pestering my granddad to read it to me again and again. I’d say that was largely responsible for putting me on this path towards writing imaginative stories myself.

Which authors have influenced you?

Oh, all kinds – way too many to list here. I went through a period growing up of reading everything SF, Fantasy, Crime and Horror related – which I call my ‘real’ education. I absolutely adore the Dune books by Frank Herbert, Ray Bradbury’s writing and Arthur C. Clarke. Colin Dexter was my go-to guy for crime growing up – the Morse mysteries were superb. And of course people like Tolkien for fantasy… In terms of horror, the authors who had the most impact on me during this period were James Herbert, Stephen King, Anne Rice, Ramsey Campbell, Shirley Jackson, Richard Matheson, Graham Masterton – the usual suspects in other words. Then later, people like Neil Gaiman, Christopher Fowler, Poppy Z. Brite, Simon Clark, Michael Marshall Smith – I could go on all day.

But the author who has influenced more than any other and continues to do so is Clive Barker. Anyone who knows me and my work will understand the importance of him and his fiction, his plays, his films and artwork. Clive’s Books of Blood came along at just the right time for me, and were a revelation – if you’ll pardon the expression. They blew me away! Their range and scope, and just the beauty of the writing. Then I read ‘The Hellbound Heart’ and saw Hellraiser, and the die was pretty much cast. I’m very lucky in that over the years Clive has become a friend and I’ve worked with and for him on a number of projects – just last year I had the pleasure of adapting ‘In the Hills, The Cities’ into a motion comic script – and not many people get to say that about the people they read and loved during their formative years.

monsters-cover-002Monsters from Alchemy Press is your 10th print collection and contains stories that cover a career of almost twenty years of publishing.  What is it about the short fiction form that appeals to you?

I started off writing shorts when I first seriously started to think about sending out fiction to markets, because I think it was that old chestnut of not having enough confidence in a longer piece. The novels I had tried to write when I was about fifteen, sixteen were absolutely terrible; I still have some of them and they’re a source of constant amusement. So I suppose I was taking baby steps with the shorts, using them to find my feet and my voice, which I eventually did. It’s funny, because they’re a completely different beast to novels, and yet a lot of writers use them as a stepping stone to longer fiction…

But anyway, they’ll always have a special place in my heart because they’re what got me the attention initially, and I do still love to write them, especially in-between novels or novellas. I think one author once said – it might even have been Stephen King – it’s like the difference between a kiss and a full blown relationship, and that’s true for a reader and a writer. Shorts also allow you to experiment a little more without worrying too much if it doesn’t work out; you haven’t wasted too much of your time if they don’t. They also let you explore lots of different aspects of life in various ways, using an assortment of techniques, which you might not be able to do in a novel because you’re trying to keep this whole juggernaut going and on track.

Which of your short fiction are you most proud of?

That’s a tough one, because it’s like asking you to choose between your children. I suppose I’ll go with the ones that other people liked the most: the award-winning ‘A Chaos Demon is for Life’; ‘Rag and Bone’ which appeared in The Mammoth Book of Best New Horror; ‘The Weeping Woman’, which was turned into a short film… All three are in Monsters coincidentally, and the limited edition hardback comes with a free DVD of that movie, directed by award-winner Mark Steensland, starring Fright Night’s Stephen Geoffreys and with music from legendary Fulci-collaborator Fabio Frizzi.

And are there shorts by other writers that have stuck with you?

Definitely, but again too many to list. However, I will mention ones like: Chris Fowler’s ‘Hated’ from the collection Flesh Wounds, about a man who is on the receiving end of a hate curse; Simon Clark’s ‘The Burning Doorway’ in which a crematory attendant sees figures get up and create a door to paradise inside a furnace; Robert Shearman’s ‘Mortal Coil’ where everyone is told when and how they will die; Ray Bradbury’s ‘The Homecoming’ about monsters at Halloween, which influenced my recent short ‘Michael the Monster’ from A Darke Phantastique; Neil Gaiman’s retelling of The Three Billy Goats Gruff ‘Troll Bridge’; a bit of cheat as it was in the anthology we edited, Hellbound Hearts, but Sarah Pinborough’s ‘The Confessor’s Tale’; and then of course a Clive one – and I’ll go with ‘Human Remains’ here, as that’s always stayed with me since I first read it. The perfect meditation on what it means to be human and how we should be grateful to be alive in the first place. As I say, there are tons of others, but we’d be here all year.

flaming arrowYou’ve also recently published Flaming Arrow, the fourth contribution to your Arrowhead series in Abaddon’s Afterblight world – what was it like returning to the series and what can we expect from this new instalment?

That came about after the omnibus edition of the three Arrowhead novels – Hooded Man – sold out of its first print run incredibly quickly. It coincided with me thinking about what might have happened to the characters I wrote about a few years down the line, and so when new Abaddon editor David Thomas Moore dropped me a line and said did I want to pen a new novella in that universe, I already had a story half-forming in my mind and jumped at the chance. It was actually a little like slipping on a pair of comfortable slippers again, because I’d already written close to a third of a million words about these people and their lives. Anyone who’s seen Hooded Man knows it’s a doorstopper of a book!

Picking up the tale several years after Arrowland gave me the chance to examine things like the generation gap in a way I hadn’t before, with Robert now an older more grizzled Hood, thinking about handing over control of his Rangers to his adopted son, Mark. But, of course, things don’t go anywhere near according to plan and we see chaos erupting at home in Britain. At the same time, Robert is on a tour of Ranger stations abroad and finds himself facing a new kind of foe; genetically engineered monsters this time, which allowed me to do a tighter, siege-like story, in contrast to all the huge battles I’d tackled before. All in all I had a whale of a time writing it, and from the reviews so far people seem to be having just as much fun reading it.

Clive Barker calls you the resident expert on Hellraiser and Peter Atkins goes further and calls you the world’s leading expert on this iconic series – how did you discover Hellraiser and what’s the appeal of it for you?

As mentioned, I came across Clive’s fiction first, reading ‘The Hellbound Heart’ in the anthology Dark Visions, edited by George R.R. Martin. Then I remember seeing this video in local stores which had a picture of a guy with all these nails banged into his head on the cover, stupidly not connecting the two until I started to read the blurb. I wasn’t old enough to see Hellraiser at the cinema and couldn’t even buy the video myself – I think I borrowed it from a friend’s brother initially – but I recall being desperate to see it! When I did, it scared the crap out of me, naturally, but at the same time I could see that something else was going on. The story was layered, the effects were excellent – I mean just look at Bob Keen’s Frank; it’s amazing and still holds up today – and you had this new way of summoning demons through a kind of Pandora’s Box.

The Cenobites themselves were a particular highlight for me, they were just so unique. Nobody had ever done them as these ‘magnificent superbutchers’ – as Clive describes them – before. In the past they’d been all horns and scales, or demon babies. Basically, it just had the whole package and I fell in love with the film and the mythology instantly. It’s also one of those mythos that can just expand and expand, as the sequels and comics and our anthology have shown. There’s a reason it’s still as popular as ever almost thirty years after the original.

You’ve also edited anthologies – do you find the experience has sharpened or changed your approach to writing?   

Editing anthologies, like teaching creative writing classes – which I used to do up until a few years ago – definitely help with your own writing. They help you to spot mistakes and on the flip side see how good stories are constructed. You have a distance there with other people’s stories that you don’t have with your own, so it kind of trains you to do that when it comes to editing your own stuff. You end up approaching it objectively, especially if you put it to one side for a little while before coming back to it. Both help to sharpen your own writing, forcing you to look harder at stories, to spot what’s good and what’s bad – but also to help with your own judgement about such things.  I’ve loved editing anthologies, from the very first in the small press to mass market ones later on such as The Mammoth Book of Body Horror and Beyond Rue Morgue. It’s a real treat for me and a change of pace from working on my own material, which keeps everything fresh.

Do you have a dream anthology you’d like to do but haven’t yet?

I do, and funnily enough I got very close to doing it last year. There were lots of phone calls backwards and forwards to the US, but in the end it didn’t happen. I never say never, though, so I don’t want to mention what it is in case it ever comes around again. For a little while back there, though, things were incredibly exciting.

And how have you found the process of co-editing with Marie?

Oh, I thoroughly enjoy it. Marie and I have very similar tastes in fiction, as in everything else. I can’t think of anything better than working with your best friend, apart from – of course – being married to her, so I count myself incredibly lucky in every respect there. I’ve edited anthologies on my own, but do prefer to have another set of eyes on the case, whether it’s Marie or someone else, as you can go a bit wordblind. Plus which, other people bring different things to the table. Charles Prepolec, for instance, was perfect for a project like Beyond Rue Morgue and I knew this because he’d edited my story ‘The Greatest Mystery’ for his Holmes anthology Gaslight Arcanum. Having said all that, I’ve just put an anthology to bed that I worked on by myself, but that’s a rather unusual case… and I can’t say too much about it at this time.

Room 101 time: what one genre cliché would you get rid of?

Blimey, I’m probably the wrong person to ask that as I love all the clichés, good and bad. Vampires that turn into bats, werewolves howling at the moon, cobweb-filled castles, mad scientists, shambling zombies. I’m a sucker for all of that stuff. Maybe cats jumping out at people who are going down dark corridors – that’s probably had its day. I’d like to see a badger jump out at someone or something, that would make it a bit different.

And finally, what are you up to next?

holmes hellIt’s been one of the busiest times I can remember actually. You catch me as I’ve just finished writing the first draft of a mass market novel (the only just announced Sherlock Holmes and the Servants of Hell for Solaris . So it’s been writing that and the graphic novel over the summer, as well as going to various conventions, like Edge-Lit and Derby Literary Festival.

I was a guest at three events, the BSFA/BFS SSF Social with Jacey Bedford in June, HorrorCon in July and Liverpool HorrorFest in August. I had a great time at all three. I also attended the launch of the Leviathan documentary at the Cinema Museum in London, as I have a 30 minute featurette on the DVD talking about the Hellraiser sequels. I’ve been doing quite a bit of PR work to promote Flaming Arrow and Monsters, as well, including interviews like this one, blog posts, podcasts, TV appearances…

Other releases out or due out include: the latest Dalton Quayle from Pendragon, The Bric-a-brac Man, which contains two new comedy horror novellas; Hellraisers, which is an interview book from Avalard featuring brand new chats with all the major players in the franchise; the sequel to RED, Blood RED – also from SST – which contains both the original novella, the brand new short novel and a host of extras, such as an extract from the award-winning screenplay based on RED, character sketches and so on… that comes with a Dave McKean cover and an introduction by Alison Littlewood; the graphic novel of Lunar – which is also being turned into a feature film by The 7th Dimension director Brad Watson, based on my script; plus a new collection called Disexistence which gathers together a lot of my new shorts from the last few years, introduced by Nancy Holder… There’s more, but that’ll do for now!

As for upcoming appearances, I’ll be at FantasyCon in October doing stuff and plugging stuff, and one of the guest speakers in November on a course in Derby called ‘The World of Writing and Publishing’, where I’ll be talking about how to make your living as a writer.

Thank you for joining us Paul!

Paul Kane is the award-winning, bestselling author and editor of over fifty books – including the Arrowhead trilogy (gathered together in the sellout Hooded Man omnibus, revolving around a post-apocalyptic version of Robin Hood), The Butterfly Man and Other Stories, Hellbound Hearts and The Mammoth Book of Body Horror. His non-fiction books include The Hellraiser Films and Their Legacy and Voices in the Dark, and his genre journalism has appeared in the likes of SFX, Rue Morgue and DeathRay. He has been a Guest at Alt.Fiction five times, was a Guest at the first SFX Weekender, at Thought Bubble in 2011, Derbyshire Literary Festival and Off the Shelf in 2012, Monster Mash and Event Horizon in 2013, Edge-Lit in 2014, plus HorrorCon and HorrorFest in 2015, as well as being a panellist at FantasyCon and the World Fantasy Convention. His work has been optioned and adapted for the big and small screen, including for US network television, plus his latest novels are Lunar (set to be turned into a feature film) and the Y.A. story The Rainbow Man (as P.B. Kane), with the sequel to REDBlood RED – forthcoming from SST Publications. He lives in Derbyshire, UK, with his wife Marie O’Regan, his family and a black cat called Mina. Find out more at his site http://www.shadow-writer.co.uk which has featured Guest Writers such as Stephen King, Neil Gaiman, Charlaine Harris, Dean Koontz and Guillermo del Toro.

You can buy Monsters from Amazon here and Flaming Arrow from Amazon here or direct from Rebellion here.

Interview with Jan Edwards

Jan in Hat 001Jan Edwards is a woman of many talents – writer, editor, publisher, bookseller, Reiki master, tarot reader, quilter, motorbike chick, Britain’s first female master locksmith, gardener, cook, potter and sculptor…

So, first let’s talk about Jan the writer. When did you first start writing and what genres draw you.
It always sounds like such a cliché to say I have always written, for as long as I can remember, but I suspect this is quite true with the majority of writers. I amused the family no end by talking in the third person for a week or more when I was around seven years old, because I wanted to see what I would sound like as a book and at secondary school I filled many school notebooks with fiction (mostly during lesson times). I wrote primarily for myself for years and only really started thinking about writing for publication in my late thirties when the family and business needed less of my time.

What draws me? I have always been fascinated by folklore, myths and legends, especially those that give rise to local customs, so fantasy was a natural path. A great deal of my short fiction has been dark fantasy, urban fantasy and horror and many of those stories have been drawn directly from those sources. Sussex Tales, my mainstream novel, also has a lean toward those local customs with the added bonus of country wine recipes and rural herb lore.  Currently I am writing a crime novel set in WW2 which is more historical than mythical –though I still find myself caught up in the same levels of research. As you can see there is no one genre that draws me; except for a recurring love of those old legends.

Which authors have inspired you in these genres?
This is the kind of question I always hate answering mainly because my influences and inspirations are so wide. Jane Austen and Daphne Du Maurier have always been huge influences, as have Arthur Conan Doyle, Joan Aitken, Michael Moorcock, Robert Holdstock and so many more. Ask me tomorrow and I will find a half dozen others.

When it comes to more recent authors it is even harder to choose because we all read so many new titles by so many people that to name one or two above the rest would be unfair to the dozens of other equally spiffing writers. I could list all of the recent and forthcoming Alchemy Press authors such as Pete Atkins, Jessica Amanda Salmonson, Bryn Fortey, Mike Chinn, Anne Nichols, Adrian Cole, Pauline Dungate, James Brogden, Paul Kane, Marion Pitman, David Sutton,  John Grant et al – or the Penkhull Press writers; Misha Herwin, Jem Shaw and Malcolm Havard – but that would be unfair to all of the other writers that not yet published by either press!

Recently read books that I’ve enjoyed most especially (who are not Alchemy Press writers – all of whom are fab!) have been by (in no special order) Jo Walton, Joanne Harris, Jim Butcher, Lou Morgan and Paul Finch. There are others of course but these are the ones that have stuck with me, which is always a good sign.

Have you ever been tempted to retell Pride and Prejudice with a genre slant? 😉
It has crossed my mind, though it has been done so many times already that I am not sure it would be a project people would want to see. A regency urban fantasy might be quite fun to do if I got my act together. Elizabeth Bennett is one of the greatest characters in literature. She could be parachuted into almost any setting and still work. I suspect she has been paid homage (and occasionally pastiched) by many, many, writers – albeit under different names.

leinster coverYou’ve just had your supernatural fiction collection Leinster Gardens and Other Subtleties published with The Alchemy Press. Tell us a little more about that.
Leinster Gardens and Other Subtleties  (to paraphrase) is exactly what it says on the cover. A collection of supernatural fiction (in paper and kindle formats). All but one of the stories included have been previously published, and some of the stories had a limited audience on first publication it seemed like a good idea to give them a second airing. The single original story in there is not strictly speaking new as it was accepted for Twisted Tongue magazine which folded before my story was published. They are all supernatural in origin, either traditional ghost stories or tales that revolve around a spirit of a kind. I am not a writer of visceral horror, but rather (I hope) the sort that raises an uneasy sensation in the back of the neck when you are walking home in the dark!

You’ve got another collection – Fables and Fabulations – coming out soon. When, with whom and is there a particular theme to it?
Fables and Fabulations is coming out very soon as a ‘Penkhull Slim’ volume with the Penkhull Press. Again these are all previously published stories gathered together in a single volume, but unlike Leinster Gardens and Other Subtleties there is no particular theme beyond fantasy in its broadest sense. Fables and Fabulations opens with the vampire tale ‘A Taste of Culture, (first published in the Mammoth Book of Dracula and ends with ‘Winter Eve’, (from Ethereal Tales #9) which is an urban fantasy on Halloween and the water horses of legend galloping across Pontypridd common.  There is also are SF and horror tales in the mix so hopefully something for everyone.

Next, Jan the editor. You’ve edited multiple publications for the BFS, and co-edited for both The Alchemy Press and Fox Spirit Books. What’s the appeal of this side of publishing for you?
I do love the process of putting an anthology together. Sifting through the submissions and coming across those gems of short fiction is hard work but infinitely rewarding. The downside is in having to reject some really good stuff, either because it doesn’t fit or there is a similar story that you like just that little bit better. It is also a great way to network with other writers!

Do you have a dream anthology project you’d like to do or authors you’d like to work with in the future?
There are so many projects that would be fun to do. Something with a pagan theme perhaps – ‘Quarters and Cross Quarters’ (a working title) or maybe as an retired locksmith something like ‘Picking Over Locks’. That said I prefer not to have my themes too narrowly set. By the time you have read the sixth story about one-legged zombie hunters or Unicorns at Halloween even the best of fiction can lack originality.

Who would I like to work with? Hmm. Well the Alchemy Press books of Urban Mythic 1 &2 and Alchemy Press book of Ancient Wonders as well as the Fox Spirit book of Wicked Women all have some stellar line-ups. Top notch established writers and talented new arrivals. And of course with Alchemy Press I have worked with some fabulous writers already mentioned. So who left? I would love to get stories from Charles de Lint or Jim Butcher, Joanne Harris or Sarah Pinborough. But there are dozens, maybe hundreds of writers I could name and would hate to make a list and forget to include folks I admire but who slipped my mind just for a moment.

Do you have any recommendations for short fiction or anthologies by others?
Other than Alchemy Press authors you mean? See above. There are a zillion great writers out there I could name! The Terror Tales series of anthologies from Gray Friar Press are always worth reading. Sadly the Mammoth imprint is being phased out – I was thrilled to get a story accepted for one of their last titles Mammoth book of The Adventures of Moriarty. PS publishing put out some cracking anthologies. As a writer I enjoy an anthology that has variety. As an editor, though I use my e-reader as everyone else does, I still feel that books should be a thing of beauty, and I place a lot of value on production values. Layouts should please the eye and typos be few and far between. Most of all, with both hats on, they should entertain. I suspect only the editors like every story in a given anthology, but the good thing about them for a reader is that if there is one story in a volume that doesn’t grab you there is a good chance the next one will.

What are you up to next?
I have Fables and Fabulations coming soon, there are short stories due out in three anthologies in The Mammoth Book of the Adventures of Moriarty: The Secret Life of Sherlock Holmes’s Nemesis, Tales From The Lake: vol 2 and Terror Tales of the Ocean, and one other yet to be announced. I have a main stream novel due out with Penkhull Press in the spring and a crime novel and urban fantasy series in edit.

On ‘fun stuff’,  you can catch me in a panel at Fantasycon 2015 in Nottingham, where Alchemy Press will be selling books and launching Music in the Bone, a collection by Marion Pitman.   We shall also be at Novacon in Nottingham selling books, I shall be on  panel about editing and  we will be launching Anne Nicholls’s collection Music From the Fifth Planet; and then there is Sledgelit In Derby where we are selling books and hopefully soft launching the collection The Complete Weird Epistles of Penelope Pettiweather, Ghost Collector  by US writer Jessica Amanda Salmonson .

On other stuff Alchemy Press have multiple short listings in the British Fantasy Awards. Best Anthology: The Alchemy Press Book of Urban Mythic 2, edited by Jan Edwards and Jenny Barber;  Best Collection: Nick Nightmare Investigates, by Adrian Cole (co-published with Airgedlámh Publications);  Best Non-Fiction: Touchstones: Essays on the Fantastic, by John Howard and Best Independent Press: The Alchemy Press itself. (we won this award last year.

Fox Spirit are also in the running for multiple in the BFA shortlists with:  Best Anthology  with Tales of Eve; Best Fantasy Novel Breed by K.T. Davies; Best Short Story with ‘Change of Heart by Gaie Sebold which appears in our Wicked Women anthology (edited by Jenny Barber and Jan Edwards ) and finally for Best Independent Press

Penkhull Press and Renegade Writers have a story café at the Gladstone Museum in Stoke for Halloween.

I have no doubt other things will be slotted into the calendar before the new year. You can always catch up with what I am doing on my blog site.

Jan Edwards, thank you very much for joining us!

Jan Edwards was born in Sussex and now lives in the Staffs Moorlands with 3 cats and husband Peter Coleborn.  Jan is a writer of fiction, freelance editor, Master Practitioner in both Usui and Celtic Reiki and Meditational Healer and founder member of the Renegade Writers group.  You can find her at her website https://janedwardsblog.wordpress.com or on twitter at: @jancoledwards.

Leinster Gardens and Other Subtleties can be found in paperback or ebook editions from Amazon.

In “Writing Magazine”

The Alchemy Press

Untitled-2d

The Alchemy Press received a nice little write-up in the September issue of Writing Magazine — on page 93 in the news section. The piece was accompanied by a few cover reproductions; we certainly do publish some lovely books!

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British Fantasy Award Nominees 2015 (all the squee)

UrbanMythic2bDon’t mind me, I’ll just be giggling madly in the corner here…  So, this morning the ever lovely Stephen Theaker posted the BF Awards shortlist for this year…. on the BFS website here, in full.

This is such a fantastic list with some fab people on it (Lightspeed’s Women Destroy SF! Jen Williams! Spectral’s Book of Horror! Mark West! Holdfast! Lightspeed!) so huuuuuge congrats to all the nominees….

The absolute highlight though is in Best Anthology where Urban Mythic 2 scored a nomination!  To say Jan and I are insanely pleased would be an understatement of epic proportions.  We are INSANELY pleased!

And! Wicked Women copped a sorta mention too as the awesome Gaie Sebold got a Best Short Story nom for ‘A Change of Heart’ which appeared in it.  Babylon Steel stories for the win!

Did I mention Jan and I are insanely pleased? There is happy dancing.

And! Not only that!  But my beloved Team Alchemy and Team Skulk picked up all manner of noms, namely –

Best artist – 
Ben Baldwin – who did the gorgeous cover for Urban Mythic 1
Les Edwards – who did the equally gorgeous cover for Urban Mythic 2 as well as covers for other Alchemy titles
Sarah Anne Langton – who did the wonderfully gorgeous cover for Wicked Women as well as covers for other Fox Spirit titles
Daniele Serra – who has done lovely covers for both Alchemy and Fox Spirit

Best collection
Nick Nightmare Investigates, Adrian Cole (The Alchemy Press and Airgedlámh Publications)

Best fantasy novel (the Robert Holdstock Award) –
Breed, KT Davies (Fox Spirit Books)

Best horror novel (the August Derleth Award) –
The Unquiet House, Alison Littlewood (Jo Fletcher Books)  – Who also had a story in Urban Mythic 1.  🙂

Best independent press
The Alchemy Press (Peter Coleborn)
Fox Spirit Books (Adele Wearing)

Best non-fiction
Touchstones: Essays on the Fantastic, John Howard (The Alchemy Press)

The winners will be announced at the awards ceremony on Sunday, 25 October 2015, at FantasyCon 2015 in Nottingham, and, obvs, Alchemy and Fox Spirit will be winning alllll the awards.  And getting a joint win in Best Inde Press, just cos.  😉

Urban Mythic 2: Tanith Lee interviewed

tanith-leeAuthor of “The Mermaid” in Urban Mythic 2, Tanith Lee answers a few questions!

Tell us a little about yourself and your writing. How long have you been writing and how did you get started?

I’ve been writing since the age of 9 – about 57 years. Being slightly dyslexic (something unrecognised in my childhood) the school couldn’t teach me how to read. My father stepped in and taught me in a few months. About a year later, by then reading as a locust feeds, I began – as if logically – to write.

What is at the root of your Urban Mythic story?

The story came from an idea a friend told me and said I might use. It was so straightforward – shocking.

You’ve written widely across a multitude of forms and genres including horror, SF, fantasy, historical, detective, contemporary-psychological, children’s and young adult; in novel, short story, radio play and TV script form: do you find yourself drawn to any one in particular? 

All and any, if they call to me. When the inspiration comes, I’m off.

Is there any genre or style of writing you haven’t tried yet but would like to?

Anything, probably, again if I get that alluring signal.

What do you think of the current state of the fantasy/sf/horror genre?

I don’t take a lot of notice of that. I read the ones I love, and now discover new loves. But I read mostly, and widely, outside the three main ‘fantasy’ areas. Always have.

Room 101 time: what one genre cliché would you get rid of?

None. From wonderful epic ideas and phrases can come rubbish. And from (perhaps) limited or clichéd ones, gardens of Hell and Paradise may flower.

What are you up to next?

Some (Main House) reprints of some of my past work, and some new, for the USA, are under discussion. I’m also putting together lots of Lee short story collections, all including new original unpublished tales. These for UK, Australia and the USA. Conventions – I love them, but right now, no time.

Urban Mythic 2: Chico Kidd interviewed

chicoAuthor of “Blood*uckers” in Urban Mythic 2, Chico Kidd answers a few questions!

What is at the root of your Urban Mythic story?

I’ve always had a soft spot for werewolves. About a year or so ago I started trying out a new voice, an NYPD detective who didn’t just happen to be a werewolf but had joined the police because she was one. “They say the real reason so many weres are drawn to law enforcement is we still want to run in a pack. Though if you ask me I think it’s just ’cause we like chasing stuff.” I spent quite a long time nailing Taz’s voice, and also working on her world (in short, the weres are cops and the vampires are the Mob) and how it all worked and fit together. This story came out of that— in effect, it’s backstory before I’ve even completed the present-day narrative!

Alchemy Press have also published your novella The Komarovs – tell us about that and is it connected to any of your other works?

It’s just one in the long-running series I call the Da Silva Tales, which comprises so far about twenty long short stories/novellas (a goodly number of which have been anthologised) and four-and-a-half novels, the first of which, Demon Weather, has been published by Booktrope. David Longhorn summed up the milieu thusly: “One not-so-fine day Portuguese sea-captain, Luis da Silva, found himself in Venice under demonic attack. The result was to make him a ghost-seer and necromancer— one with the power to conjure up those who’ve died before their time.” Set in the early years of the 20th century, the Captain amasses a “Scooby Gang” which includes one of the protagonists of The Komarovs— Harris the werewolf. In fact its original title was Wolfbane!

You’ve travelled a great deal and had many interesting experiences – are there any adventures that particular stick out?  What places or activities have you not yet experienced that you want to?

No adventures as such, but I learnt to dive in the Maldives in the 80s, when the coral was fabulous. Nowadays much of it is dead and white, mostly due to a voracious beastie called the crown of thorns starfish. We travelled round the world about eight years ago, and that was fun. On a later trip to Hawaii I visited the newest lava flow. Mostly cooled, there was still one stream of lava falling into the sea. Two years before, people had been sunbathing on that beach. Before my other half became ill, we would go to the top of anything and everything— many years before 9/11 I remember standing on the top of one of the Twin Towers. The view was astonishing. I’d like to visit Vietnam because I am a great foodie and their cuisine looks amazing.

Is there one subject you would never write about as an author? 

Romance! And probably politics.

Room 101 time: what one genre cliché would you get rid of?

Chick-lit vampires! Buffy (and all who sailed in her) was genre-changing, but has sadly yielded to Twilight’s soppy bloodsuckers. That’s a great shame, IMHO. The Buffyverse also made humour and character integral to the action, which is what I aspire to do with the Captain and now with Taz.

What are you up to next? (Published works/conventions/random fun stuff!)

The second Da Silva novel, The Werewolf of Lisbon, is due to come out this year, I hope, with the others to follow. To that end I need to finish volume five! I also have a story in Terror Tales of Yorkshire, out right about now. Plus I want to do more with Taz. I have this mad idea of writing the series backwards— first novel would be present-day, then go in reverse to the “thirteen years ago” of “Blood*uckers”. But I reckon that’s quite a long way off.

Urban Mythic 2: Sarah Ash interviewed

Sarah AshAuthor of “La Vouivre” in Urban Mythic 2, Sarah Ash answers a few questions!

Tell us a little about yourself and your writing.

I love stories. When I was a child, I used to scribble after ‘lights out’ by the street lamp outside my window, filling little notebooks with barely legible scrawl in different coloured crayons. Growing up in Bath, I used to wonder about all the lives lived out from pre-Roman times till the present day and how what happened back then gradually became transmuted into local legend as it was told and re-told through the ages. Which is why what I like to explore in my own writing what would happen, for example, if a rational, enlightened eighteenth century soldier-prince encountered real, raw magic when waging war on the neighbouring country (The Tears of Artamon). I was trained as a musician and taught music for many years and my stories frequently feature musicians struggling with their craft. Kaito, the main protagonist of The Flood Dragon’s Sacrifice plays the flute – and an old song of his clan takes on a special significance as the story develops.

What is at the root of your Urban Mythic story?

A summer holiday in the Jura a few years ago brought us into Courbet country. Frustratingly, the new Courbet museum in Ornans was still being finished then, but we were able to visit a few of the places he depicted in his paintings. It’s atmospheric, tranquil, unspoilt countryside where time seems to stand still. As for La Vouivre, this isn’t her first appearance in my writing! I’m still working on a longer novel in which she is one of the protagonists … but set several hundred years earlier.

What attracts you to anime and manga, and have you ever considered writing in this form?

How long have you got? Well, first of all, there’s a distinctive attitude to story-telling and character interaction that I don’t find in other graphic novels or Western animation. For example: in a shounen (boys’) manga or anime like Naruto, characters get hurt and die, even when they have supernatural powers. It might be fantasy (with ninjas) but it feels real. You won’t find that kind of emotional realism in the animated shows churned out (mostly) by the US for YA audiences – and it’s why you won’t find much anime (unless it’s been heavily sanitised) on kids’ TV in the UK.

Secondly, I love the way that certain mangaka-like CLAMP (the celebrated four women team) weave Japanese mythology into their work; xxxHolic is still one of my favourite manga, with gorgeous Art Nouveau-style graphics and twisted tales that stretch the imagination of the reader.

Thirdly, a great deal of care and attention goes into the soundtracks for anime series; the work of gifted composers such as Yoko Kanno, Kenji Kawai, and Yuki Kajiura add so much to the whole experience with their imaginative and memorable scores.

Lastly, I’d really love to write in this form if a mangaka expressed interested in working with me (hint, hint…). And I’d be insanely happy if a Japanese publisher ever offered to publish any of my novels and – a frequent bonus in Japanese light novels – add illustrations.

If you could have dinner with any writer in your field (past or present) who would it be and why?

Alexandre Dumas the elder would make a wonderful dinner companion; given his colourful life and appreciation of all things gastronomique – he might even prepare some of the dishes himself!

Is there one subject you would never write about as an author? 

It’s not so much a single subject as when unexpected events in ‘real life’ suddenly – and horribly – come close to a significant episode in the story that I’m working on (tidal wave/tsunami being a recent case in point) I find it almost impossible to continue.

Room 101 time: what one genre cliché would you get rid of?

The teenage kick-ass heroine who is a ruthless assassin but also a brilliant and sensitive musician, looks good in a silk gown on the dance floor at the palace ball (make up Mary Sue-style shopping list of character assets as desired…). First person present tense with these young ladies is also becoming a little stale. (Was that two clichés?)

What are you up to next?

I’ve recently brought out my first original e-book, The Flood Dragon’s Sacrifice which is the first of a two-part Japanese fantasy, so I’m (desperately) trying to finish the second part. I’m also working on the sequel to Scent of Lilies a historical ghost story set in the Byzantine empire